*I have to warn you that this post takes some twists and turns before we get to the actual revisiting but I feel the little back story is important to this post so I hope you find the whole thing informative, It s based on my personal thoughts and experiences, not a full spec professional review of the camera*
Price & Options
The M8 was the most expensive option as it would be £1600 used and I would have to purchase a decent lens on top of that but it was also released around 2006 so the technology inside was already showing it's age. The fuji had unreliable autofocus and you would be stuck with the 35mm field of view, being a fixed lens camera but it was nice and small.. The Leica X1 was just too pricey for what it was in my opinion, basically a fuji x100 without a built in view finder. So to me the logical option would be to try the M8 to see how it performs, I had seen great results from people like Gorbot on flickr (check out his photo's they are awesome) using the m8 with Carl Zeiss and Voigtlander lenses and thought that this would suit my documentary approach to photo shoots and weddings. As I stated before, the technology inside the M8 was a bit older and that was my main concern, could it hold up at higher ISO's? (which for weddings in scotland is nearly essential) Is the image quality good enough by today's standards? (I had certainly seen examples that proved it could) also most importantly would I like the rangefinder experience?
Lens Options
So I played around for nearly a whole day in Ffordes photographic with the M8, testing different lenses in different lighting conditions. Due to the M8 not being a full frame camera (it's a 1.33 crop, which is still bigger than most DSLR's certainly at the time) I had to find the right lens focal length. I tried some Carl Zeiss lenses, mainly the 28mm f2.8 Biogon (which is around a 37mm on the M8, near a good standard focal length), the 50mm f2 planar which was a little too long I feel for my taste with the crop factor, they didn't have the 35mm f2 in stock at the time unfortunately which I really wanted to try (that would have been nearer the 50mm field of view). I also tried the Zeiss Sonnar 50mm f1.5 but again was too long for my liking. I also tried the Voigtlander 35mm f1.4 and 2.5, also the 40mm f1.4. Sadly they did not have a Nokton 35mm f1.2 which might have taken my fancy but being a small camera I wanted a small-ish lens to start with and the Nokton is huge (for a m-mount lens). I also then tried some expensive Leica lenses, starting with the 28mm f2.8 Elmarit then the 35mm f2 Summicron. I had decided that I wanted a 28 or 35 as I wanted something that wasn't too long like a 50 would have been.
I liked the 1.4 of the Voigtlander 35mm (which would help in low light if the ISO wasn't quite up to scratch) but looking at some sample shots I found the Leica's and Zeiss to render a better image (to my eye anyway). I would still have liked to try the 1.2 though as I hear good things about it, especially the version II which is now released. After trying both the Zeiss and Leica lenses extensively in the store I came to the conclusion that I would go for the Zeiss 28mm f2.8 Biogon. When it came down to it I couldn't see much if any difference in image quality compared to the Elmarit and I actually liked the look and feel of the Zeiss on the M8 better (call me crazy but I really did), I also really liked the focus ring on the Zeiss instead of the tab on the Leica, personal preference I suppose. I didi realise that the Zeiss may have some colour problems due to not being 6 bit coded for the camera like all the Leica lenses are but in the store I couldn't see any problems in the images, this would become less of a problem if shooting in black and white obviously which I do a lot. I also had to purchase the lens hood and an IR filter as the M8 suffers from an IR problem when shooting in colour which was an annoying extra cost and surely the lens hood could come with the lens. Anyway I was happy and left the store much poorer but did not regret my decision. I had a week to test it out, see if it would fit into my work flow.
Rangefinder Experience
Straight off I have to say I really loved the whole Rangefinder experience, the small unobtrusive size, the quieter shutter (not as quiet as the film leica's I've tried but much quieter than my 5D), the viewfinder (seeing outside the frame lines), the simple no frills operation and the awesome build quality. I was finally having tons of fun shooting again and it all fit in a tiny bag and hardly weighed anything when over my shoulder, I was shooting in situations where before I wouldn't even have bothered takeing out my 5D.
Image Qality
As far as Image quality I was very surprised. Combined with the Biogon lens at lower ISO's the sharpness and out of camera DNG files were stunning. I have never seen files come out of a camera like that (especially in Raw). It beat my Canon 5D mk 2 for sharpness and contrast and even the black and white out of camera JPEG's were nicely toned and contrasty, did I say I was surprised? The files did have less dynamic range when it came to post processing when compared to th 5D MK 2 but that is to be expected, no surprise there, the solution? get the exposure right, simple.
I decided to test the ISO capabilities so upping it to 640 I instantly saw digital noise and some colour noise also which I was really pissed off by and this just got worse when shooting in actual lower light situations (it wasn't too bad in bright daylight). Upping it to 1250 increased more colour noise and 2500 was virtually unusable in colour. I was very disappointed as I wanted an all round camera ( I think I expected too much). Everything else was perfect about the camera (well apart from the 1.33 crop but I could live with that till I could afford an M9 or whatever else came out that met that specs). Anyway I kept testing it for a few days, having fun but the no colour in low light kind of bugged me a bit. I also found some sensor problems (small array of white dots that would appear at ISO 1250 and above), this kind of turned me off the camera, Ffordes kindly said they would sent it to Leica for sensor repair but by that time I was regretting my purchase (especially for the money) so I decided to send it back to the shop and purchase other lenses for my Canon instead, after enjoying the Zeiss lens so much I purchased two Carl Zeiss lenses for my 5D mk 2.
Revisiting The Images I Shot With The M8
So we have made it to the actual revisiting section. Yesterday I was looking through my older hard drive and found a file labelled 'All Leica M8 Tests' so I opened it up to find a load of folders from the week I spent with the camera. Intrigued I started to look through them, finding some pretty cool shots (along with boring shots as I was testing it in all situations to see it's real world use). I was instantly surprised or should I say Re-surprised by the DNG files sharpness, tones and contrast. So I picked a few images out and started to process them as I do my 5Dmk2 files and found that they actually needed less work to get my desired style (lets face it all Raw/DNG files need some work at least, thats the whole point of the digital negative) and also that they were sharper with a bit more punch if that makes sense, I'm down for any camera that will give me less time editing in front of the screen.
I also decided to take a look at them higher ISO images that annoyed me so much initially and yes at 1250 and 2500 the colour noise is pretty much unusable in my opinion.........but..........when they are converted to black and white they look awesome! thats right Awesome! Now I didn't overlook this initially as I knew they looked good in black and white but I wanted a colour capable camera. I am unsure what has changed (maybe my style, maybe my expectations, I do not know) but I now see the files and think the these high ISO files (in B&W) look stunning. The noise is very very film like and I always put film grain into my B&W 5D mk 2 files now anyway, some times a lot of noise. I shot a lot of Neopan 1600 in my film days which these files are very comparable to when I have processed them (contrast/curves adjustments etc). I now see this camera as an awesome black and white camera that also shoots good colour at 320 ISO and below. I do shoot more black and white these days especially at weddings and the M8 would fit right in. I also my desire for technically perfect looking images is no longer there, I focus on creating images with character which these M8 files definitely have.
Funny what a turn around has occurred in a year and a half since I gave the camera back, fair enough it was the sensor damage that really tipped the scale but I just really wanted to write this, maybe as sort of an apology to my little M8, I obviously just wasn't ready to realise its potential in my workflow at that time and now I am considering buying another one with the same Zeiss lens of course and maybe that Nokton 35mm 1.2 I was lusting after which will help even more in low light if I want colour. I saw someone say recently that the M8 was like the original baby Leica Monochrome and I agree. I even like the crop factor giving me more depth of field for street shooting now. How things change in such a short time, I now think this would be a great second camera to compliment my main kit.
Time to start shopping.
Here are some of the shots I took with M8, there isn't that much good one's as I had it for just a short time and mostly tested it in boring situations but I hope you get the idea. All images were processed in camera raw. No Raw sharpening applied to any images if I recall correctly. They need no sharpening.
Cat after a hard days work I just loved the tones. This has had curves adjustments to the DNG but the tones were so good out of camera.
Postman Pat!
My only street shot, I didn't want to go out street shooting much incase something happened to the camera so I couldn't return it if needed. Very discreet for street shooting as expected.
Trolleys at Lidl's. Nice colours.
Cat in our flat at the time, this has had some tweaks in curves but the tones the DNG file gets makes life so easy when processing. Window light.
My girlfriend Cat in our flat at the time, That lens was awesome.
Window light.
ISO 2500 and the Black and White digital noise looks really good.
ISO 1250 , less grain obviously and looks good.
Again nice tones. Curve adjustments but again awesome tones to just tweak out of camera.
Portrait of my dad
My mum cooking Sunday lunch
Our friend from Malta, Tonina. She has since passed away.
So that's it, hope it is a little informative, sorry I don't have much interesting shots, wish I could get it back to go shoot some better examples.
Cheers for reading.
Andrew.
6 comments:
First off, nicely written article! Surprisingly this same or very similar story happened to me!! I used to shoot with a Leica M8.2 (year is 2011), and nokton 35 f 1.2 lens. I did get disappointed with the poor lcd at the back and I wanted more megapixels, I am mostly a portraits person. Only used the Leica for about 2 months at most. I sold All my Leica gear and ended up getting a Nikon D3S and some lenses, now I have the D800 and lenses as well.
I then only this summer (year 2013) wanted to visit my old Leica .dng raw files, in all honesty the Leica M8.2 Rangefinder Camera taught me alot about photography. Such as, it is so basic it made my think about my image, like my composition and exposure. Instead of just pressing the shutter button like a machine gun on a DSLR.
And wow! I was amazed at how sharp and how contrasty my old Leica M8.2 images were! I was blown away! And your right! It required very little processing than my Nikon raw files.
Now im in the market again to get a Leica M8.2, or maybe if I can afford it an M9!
Thanks for the article!
Hi thanks!
Yeah teher is just something special about thos files that I completely over looked initially. I like you was caught up in the LCD, megapixel thing. Sometimes you don't know what you have until it's gone. At least we realised our mistake.
Yeah the Leica files needed very little tweaking which now I am a pro I realise would help speed up the processing side of things. I still love my canon's but I will definitely be purchasing a Leica again soon. I too am considering an M9 but just can't quite justify that price tag yet.
Thanks for the feedback and thanks for sharing your story.
I also revisited the M8.
It seems lots of people have passed through that process. There are several kinds:
-Unexperienced digital users; having a roll of film in mind.
-Addicts, who buy a Leica no matter what it does or what for.
-Common sense photographers, wanting a camera to fulfill their purposes.
I didn't sell mine, so I'm lucky. Not being in the second group, I never had intention of spending another fortune in a new M to do the same.
I got really angry removing dust off sensor, but still I kept cool enough. Technology and software seem to have gone far, but, shall I need to expect getting light from darkness (I rarely ever used a 3200 ISO film); it seems 50.000 ISO it's become a must? Or, do I need printing large sizes?
The way I rediscovered my M8 is by stopping to treat her as a jewel.
Very well written article, and i see, and agree what you mean by the desirable noise....one man's trash, anothers treasure i guess!
I felt there was a lot of advice as well, from your learnings, thank you!
Since you have gone through a few types of systems / cameras and lenses, i have a question...if you dont mind...
I have a canon 5 d mark 1, 35 mm 1.4 L, 17-40 F4 L, 70-200 f4 L, and then the smaller 50 mm 1.8 and a lens baby.... However for the last year i have used nothing but my fuji x100, and love it!
Would you, in my place, ditch all of the canon equipment and get a leica m 8 with a 50 summicron f2(or even the voigtlander 50 1.1 and a 15 mm f4.5) ?
Loaded question, im sorry!
I am a amateur photographer, that likes to photograph potraits, and long exposures....
Hi, I am the other anonymous.
Yes, it's a reasonable temptation to trash so many tubes.
Really when you focus in a way of photographing you just might need a single lens.
About my experience, as I explained, the M8 is a fabulous camera that didn't survive factory hesitations (I saw one the other day to be sold for about 400 $).
In my advice, get a 28 mm or a 35;new Elmarit fits in a pocket, Zeiss Biogon is the one I own.
I learned to shoot on film using a K1000 at uni. All I had was a 50mm f2. Its strange. When I got a D200 with 50mm later on I found I did not really enjoy shooting as much. It sort of became annoying with a buttons and options. The first thing I did was changed the aperture dial to the lens ring because it felt more 'normal' and had it on Manual mode and manual focus. The whole time I was asking myself 'why the hell can't they just make a digtal version of k1000. Fuji has done a great job with their x series but I just feel like they could have simplified, smoothed out the whole thing and made the auto focus work better. Seemed really glitchy and the RAW support was just crap. Currently I have a Canon 5dmk2 with a bunch of prime f1.8 lenses. Its not discrete. Image quality is amazing but it never really gets used. Its not very fun to the use the AF is about the same as fuji as well.
I suppose thats what I really respect about leica. They really have tried to keep it simple like the K1000. I'd love an M9 or M (240). I shoot RAW mainly which, when I get home, is sort of like the darkroom process. If I have grainy shots I pull down the exposure 1EV and add some contrast, usually does a good job, there's always noise reduction, luminance for smudging and sharpening for cleaning up the edges. ACR is pretty powerful.
Lots of people think ACR and photoshop is cheating but to me I compare it to developing my own photos, where as they would use a preset filter on the camera or instagram (Oh I see, that's 'Valencia', no wait 'Sierra' with auto correction).
I'll get one day. Just need to start selling some gear.
Tom
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